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  • Discover overlooked fright flicks in new book HIDDEN HORROR

     
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    “A Long Overdue Addition to the Horror Pantheon!”
    – Robert Englund (A Nightmare on Elm Street)

    Having covered the onscreen terror essentials with Horror 101: The A-List of Horror Films and Monster Movies, Aaron “Dr. AC” Christensen is back with a brand new compendium of essays from the brightest and bloodiest genre aficionados around the globe.

    Published by Kitley’s Krypt, HIDDEN HORROR: A Celebration of 101 Underrated and Overlooked Fright Flicks features insights from 101 informed enthusiasts the world over, each paying tribute to their favorite overlooked creature feature, moldy oldie or trashy treat. Physical copies are now available from Amazon and other retailers, with a Kindle release scheduled for late January.

     

    Contributors include Fangoria’s Tony Timpone and Chris Alexander, Rue Morgue’s Dave Alexander, Monica S. Kuebler and John W. Bowen, HorrorHound’s Kristy Jett, Kenneth Nelson and Nathan Hanneman, Videohound’s Mike Mayo, Twitch’s Dave Canfield, FEARnet’s Lawrence P. Raffel and many more. Cult filmmaker and Blue Underground founder William Lustig (Maniac, Maniac Cop) provides the foreword.

    The result is a roster of films as impressive as the bylines, highlighting silent classics such as The Man Who Laughs and The Hands of Orlac alongside foreign horrors like Tombs of the Blind Dead and Tenebrae. Schlocky shockers The Horror of Party Beach and Humanoids from the Deep share space with mind-benders like Possession and The Tenant. With 101 literary love letters to 101 underrated titles, you’ll soon be combing your queues and video shelves to see every last one!

    Several of the tome’s contributors will be on hand for a book launch party at Spyners Pub in Chicago, IL on January 19 from 3pm – 7pm. In addition to food, drinks, trivia and prizes, physical copies of the book will be available at a discounted price.

    For more on HIDDEN HORROR: A Celebration of 101 Underrated and Overlooked Fright Flicks, visit the book on Facebook. Pick up a copy of this essential movie guide on Amazon (US) or Amazon (UK), or request it from your favorite bookseller.
  • The Wolverine

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    This was a guest review submitted by William Derbyshire. Thanks William! You can submit your own reviews to SquidFlicks here.

    A decade or so and five X-Men movies on, you would have thought by now that Hugh Jackman would have left the role of Wolverine and handed the adamantium claws over to another actor like James Bond’s tuxedo was given to George Lazenby, and then to Roger Moore, in the wake of Sean Connery. Surely, there would be another part for Jackman to sink his teeth, and a new Wolvie film for that new actor to sink his claws, into.

    But there is only one man for this acting job and that is Jackman. Seriously, no-one else can play him, even in 2008’s prequel X-Men Origins: Wolverine when a younger star would have circumstantially been needed to portray him in his early days. That, however, was his last outing and it misfired thanks to a tedious plot, a dull villain and a lacklustre climax which left me quaking for the action spectacle that it should have been.  But it’s clearly evident in The Wolverine that director James Mangold injects this movie with that much-needed boost and thrill that was lacking in X-Men Origins, but the storyline still suffers from ridiculous twists and the action being cut short when it’s about to get exciting.

    The Wolverine kicks off to a good start: Logan being held in a Japanese POW camp in 1945 and surviving the Nagasaki atomic bombing (a cool thing about being a mutant). Then, we move to the present day – he’s also immortal – after the events of X-Men: The Last Stand, which is odd as people would have wanted to forget Last Stand as it left a bad taste in their mouths. Poor Wolvie’s living in the sticks, suffering from visions of Jean Grey (Famke Janssen), the mutant chick he had to bump off at the end of LS, and making friends with bears doing their business in the woods. Ten more minutes into the film and just when he’s started a brawl in a bar, hot Japanese assassin Yukio (Rila Fukushima) makes her entrance…only it feels forced.  She’s sexually attractive and you would want to date her, but the scene builds up tension only to be briefly interrupted by her and you wish she was introduced later on.  It’s not long before Beastie Boy gets an invite over to Japan to visit dying corporate boss Yashida (Haruhiko Yamanouchi ) who craves Logan’s healing abilities but he’s not the only one who’s after them.

    The stunning cinematography in Japan is on a par with Skyfall’s and the action excels, even if most of it is on a cartoonish level. The fight on top of a bullet train shown in the film’s trailers, however, lacks the wow-factor of the train battle sequence in Spider-Man 2, looks amateurish and is needlessly shorter in comparison. But if that leaves us movie-goers deprived of adrenaline, I can tell you now that Mangold definitely delivers a final showdown that’s miles better than before. If only he saved the plot from moving towards silly Michael Bay-esque territory and left an unnecessary, mind-baffling scene half-way through the end credits with two characters who we thought died, along with Jean Grey, reappearing as cameos, where it should have been – on the cutting room floor – that The Wolverine is sadly not entirely the movie we wanted Origins to be, but you would certainly be lacking common sense to pick it over this. Trust me; this film seriously improves on it.

    Jackman is still on terrific form and definitely hasn’t shown signs of growing tired of playing Wolverine, even in his sixth film as the hairy mutant.  He knows what makes the character tick and gets his hot-tempered personality and burly, muscular physical appearance spot-on like he’s got Wolvie’s DNA inside him.  Fukushima does her best playing an ultimately one-dimensional character but hey, she’s sexy, so what does that matter? Well, the relationship between her and her shaggy boyfriend doesn’t quite sizzle. Scenes of dialogue in superhero films are fine but do they have to drag on? Less talky, more slash-y next time, perhaps? If Fukushima doesn’t attract the males, there’s also the steamy Tao Okamoto, given a stronger role as Yashida’s granddaughter Marika and Svetlana Khodchenkova, deliciously malicious as Dr. Green, aka Viper. For all the gals, there’s Will Yun Lee as Kenuichio Harada, head of the Black Ninja Clan, even if he’s given little to do.

    For all The Wolverine is worth, you’ll still get a kick out of it and it’ll probably be like Origins never existed, but the most perfect solo movie outing for Jackman’s fiery mutant is still yet to be made.  But rest assured, with a seventh film in the works, it may still happen.

  • Robocop returns in 2014: Remake Trailer

    It looks pretty good folks, and let’s be honest – this was one franchise that could use a 21st century treatment. Let’s hope it combines the best of Batman and Terminator!

    http://www.youtube.com/watch?v=INmtQXUXez8

  • Possible live Movie Marathon?

    Hey everyone!

    We are currently tinkering with the possibility of having a live movie marathon! We’d pick a film series and we’d have  a marathon. We could all start the film at the same time and show how far along with the film as we watch it and how much time is left before our “break,” is until you pause it.

    Comment and let us know if you’d like to see such a thing!

    Thanks!

  • Poster Reveal for Horror Convention Documentary FANTASM

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    Director Kyle Kuchta is excited to reveal the official theatrical poster for his forthcoming horror convention documentary, Fantasm. The film explores the bonds formed by the close-knit community of fans who attend horror conventions. A high-resolution version of the poster is attached for your use.

    In addition to a variety of devoted genre fans, Fantasm features insight from several popular horror actors and filmmakers, including Tom Atkins (Escape from New York), Heather Langenkamp (A Nightmare on Elm Street), Amanda Wyss (A Nightmare on Elm Street), Lloyd Kaufman (The Toxic Avenger), Joe Lynch (Wrong Turn 2) and more.

    After being shot at six different conventions throughout the country, Fantasm is currently in post-production. “The film is being submitted to festivals and conventions,” Kuchta elaborates. “We’re really excited to be releasing it in the fall when the convention season and the horror community are thriving full-force.”

    For more information on Fantasm, visit the documentary on Facebook and Twitter.

  • Despicable Me 2

    Despicable_Me_2_posterThis was a guest review submitted by William Derbyshire. Thanks William! You can submit your own reviews to SquidFlicks here.

    The first Despicable Me took me completely by surprise back in 2010. Recommended by my youngest sister Jenny and with nothing to do one Saturday afternoon, I decided to use my gut instinct and went to see it despite the trailers and adverts making it look like kids’ stuff.  How misled was I!  What surprised me was the idea, which I liked from watching the previews, was how original, fresh and unique it was. Not to mention, highly imaginative, weirdly moving and utterly hilarious like the best out of Pixar. The crew behind it had obviously considered developing the story to be more important rather than gathering up the biggest A-star voice cast, which is why some non-Shrek DreamWorks animations tend to misfire. In short, it was different (in a good way) and a total riot.

    It’s hard to describe the concept of Despicable Me in a nutshell, so I’ll try my best: Imagine Blofeld from You Only Live Twice in the position of Carl Frederickson, the grumpy old man from Up with three little orphaned girls in the place of a chubby boy scout, an outlandish plan, not to attach balloons to his house or start World War III but to steal the moon – sorry, Wallace & Gromit, cheese is off the menu – all in the hope of doing his hard-to-please mother proud…I know, that’s a bit too long, isn’t it?

    Anyway, like most animated films these days, this unexpected hit that’s appeared out of nowhere has been given a sequel.  Was it worth it, especially as the first film more or less worked as a stand-alone story?

    Well, not only does Despicable Me 2 beat its predecessor but it squeezes practically everything that was fun about the original, irons out its problems by giving us a better plotline and ‘second’ villain (Vector was slightly irritating), throwing in more uproariously funny gags, mostly in the form of yellow pill-shaped gibberish-talking Minions, who are like Oompa-Loompas with ADHD, belting one-liners that will have you quoting in the car on the way back home thanks to a corking script and sending-up the spy genre with the famous underwater sequence from The Spy Who Loved Me, lovingly ripped-off for your amusement…or annoyance. DM2 may not be The Dark Knight of animated sequels, that honour still goes to Toy Story 2, but it’s certainly in the same league as that along with TS3, and if Monsters University doesn’t beat it as this year’s top animation, you’ll have difficulty finding anything of the sort that’s either better or enjoyable.

    Like Spider-Man 2, DM2 doesn’t waste too much time either introducing, or re-introducing, the main characters or remind the audience what happened previously the moment it starts. It just kicks off the story and gets on with it. The main hero/villain Gru, is now a doting dad to Margo, Edith and Agnes. Not that he’s the most fatherly of fathers, judging by the fact he lets unattended children wander into an iron maiden and leaves bear traps in the garden at kids’ birthday parties. Steve Carrell has done very well for himself given that he stole Jim Carrey’s almighty thunder playing what was a minor – and funny – role as Bruce’s rival Evan and starred in the US version of The Office, and voices Gru with great aplomb…and a peculiar accent. As for the three young lasses, Miranda Cosgrove (Summer from School of Rock) along with Dana Gier and Elsie Kate Fisher voice them like they’ve never grown up since they last provided them with dialogue. Gru hasn’t been planning some spectacular heist down in his basement since we last saw him. He’s been making jam, like Willy Wonka except probably deadlier, with the help of his useful if useless scientist Dr. Nefario (Russell Brand, doing probably the only good thing he’s ever done. Sorry, I’m not a fan of his).

    This sequel, like most animated ones, could have just easily been a futile attempt to cash in on the success of the first film with Gru turning evil once again for some silly reason or another, but thankfully DM2 feels fresh and doesn’t show any desperate signs of being a shoddy cash-cow.  Instead of outdoing a baddie, Gru has to track down a baddie for the Anti-Villain League run by the posh Silas Ramsbottom, voiced by Steven Coogan although he sounds more like Timothy Spall, with the help of agent Lucy Wilde, a character who wouldn’t look out of place in a Dr. Seuss book/movie, perkily voiced by Kristen Wiig. They’re assigned to go undercover to track down a hazardous substance that can transform anyone unlucky enough to test it out, consume it or have it touch them into deadly, ferocious creatures that are like a cross between The Were-Rabbit and Sulley from Monsters, Inc. and these two unlikely spies have to team up to do what it takes to trace it, whether it’s baking cupcakes or doing battle with a “fowl”-tempered pet, but with the two falling head over heels for one another, might the pairing of this odd couple lead to something more eternal?

    You can predict where this is probably going but with such genius stuff going on, the absurd but inventive plot isn’t really the most important aspect, something rare in a CG film where story is normally a vital issue. The film runs at a terrific pace without taking any unnecessary detours or slowing down particularly for a couple of sad scenes which fortunately just come and go before they get too gooey. The animation is sublime, the slapstick comedy harks back to the heyday of Chuck Jones and possibly Fred Quimby, the Minions totally steal the show as expected and even enjoy a moment in the sun, plus the 3-D is the most impressive in ages. So, should there really be anything to complain about?

    Well, the girls and Nefario don’t have much of an essential part to play unlike previously and are pretty much left out in the rain. Also, the origins of Mexican restaurateur Ecuador (Benjamin Bratt) aren’t really explained all that well. But these are only minor protests and it’s pitiful of me to be so picky about such an entertaining movie with a gloriously loony finale and a rendition of Y.M.C.A. you won’t find anywhere else.

    Despicable Me 2 is the best second film in an animated franchise since Toy Story 2 and the most fun and hilarious of its kind in the last couple of years. Absolutely brilliant.

  • Fright-Rags releasing Tarman (Return of the Living Dead) collector’s mask set & more

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    Fright-Rags releasing Tarman (Return of the Living Dead) collector’s mask set and more
    Limited edition masks, posters and shirts licensed by William Stout
    Pre-orders available July 11th – July 15th

    Fright-Rags is bringing Tarman – the iconic zombie from 1985’s The Return of the Living Dead – back from the grave… and he’s ready to party! The horror shirt specialists have teamed with Tarman creator and acclaimed artist William Stout for a line of limited edition merchandise featuring one of cinema’s most beloved monsters.

    Perhaps its most unique offering yet, Fright-Rags has produced a Tarman mask and shirt box set. Limited to 500 pieces, the set is inspired by the Ben Cooper and Collegeville Halloween costumes of yore. Unlike the paper-thin masks from your childhood, these modernized versions are crafted from high-density plastic. Each one is handmade and hand painted by master artist Monte Ward. Also included is a two-sided Tarman shirt designed by William Stout. They come packaged in a collector’s box.

    In addition to the box set, Fright-Rags is also offering an 18×24 screen printed poster of Stout’s design. They are limited to only 200, and each one is hand numbered. Last but certainly not least is a new Tarman shirt created by Justin Osbourn. This nostalgic design will be available on unisex T-shirts, girls shirts, hoodies and 3/4 sleeve baseball tees.

    These items will be available exclusively on Fright-Rags.com for four days only. Pre-orders begin on Thursday, July 11th at 10 am EST and will end on Monday, July 15th promptly at 10 am EST. Due to the limited quantities, the box set and poster may sell out early. Act fast, because like a good brain, these will be devoured quickly!

    For additional information on these items, visit http://www.fright-rags.com/teaser/tarman.html
  • Pre-orders launch for Crystal Lake Memories: The Complete History of Friday the 13th Extensive documentary to be released on August 27th

    crystal-lake-memoriesPanic Productions and Hutson Ranch Media have launched pre-orders for Crystal Lake Memories: The Complete History of Friday the 13th on its official website. The documentary, inspired by Peter M. Bracke’s bestselling book of the same name, promises to be the definitive retrospective on the long-running Friday the 13th franchise.

    The three-disc Blu-ray/DVD combo pack showcases the extensive feature, which runs approximately 420 minutes. When purchased through the website, buyers will also receive a bonus DVD with nearly 4 hours of extended interview material. The film will be officially released on August 27, 2013 via 1428 Films with a list price of $29.95.

    Corey Feldman (star of Friday the 13th: The Final Chapter) narrates Crystal Lake Memories, which features interviews with approximately 150 cast and crew members from all twelve Friday the 13th films and the syndicated television series, many of whom have never before appeared in on-camera interviews. Interview subjects include Kane Hodder, Robert Englund, Tom Savini, Danielle Panabaker, Sean S. Cunningham, Derek Mears, Betsy Palmer, Wes Craven, Robert Shaye, Alice Cooper and many more. A full list of the cast can be found here.

    Crystal Lake Memories is written and directed by Daniel Farrands and produced by Thommy Hutson, who previously teamed up for the award-winning Never Sleep Again: The Elm Street Legacy. “As lifelong fans, we couldn’t let 2013 pass us by without giving Jason his due,” explains Farrands. “I hope that Crystal Lake Memories will serve as a befitting tribute to one of this generation’s most iconic bogeymen.”

    “We’re thrilled that we are able to bring all the incredible stories from the cast and crew to life, showcasing why the Friday the 13th franchise is still going strong decades later,” adds Hutson. “It’s a testament to the blood, sweat and tears that went into making summer camp, and eventually a hockey mask, both terrifying and fun.”

    In the 33 years since the original Friday the 13th premiered in May of 1980, the slasher franchise has grown to include twelve feature films, a television series, novels, comic books, merchandise and memorabilia. In addition to staggering box office success, the films turned Jason Voorhees and his signature hockey mask into a pop culture icon. Now fans can get an in-depth look that spans the entire history from those involved.

    Pre-order Crystal Lake Memories: The Complete History of Friday the 13th now at CrystalLakeMemories.net

  • Man of Steel

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    Now, I am not a Superman fanatic – I’ve seen a lot of the movies and cartoons growing up, but I never really followed his story quite like I did Batman or Spiderman.

    Regardless, I knew that there was a great story of origin, and when I heard that Christopher Nolan was going to produce this film, I knew it would be awesome on the scale of his recently completed Dark Knight trilogy.

    After watching the midnight premiere and getting home around 3:15 AM, (thanks to no less than 30 minutes of pre-movie trailers…) I know enough to say that Man of Steel is a movie that finally gets a lot of Superman right after many failed previous attempts.

    I particularly appreciated the amount of information that the film gives the audience about Kal-El’s origins on Krypton. The audience gets to meet Jor-El, Zod, and the dying world they live on, as well as the gift that Jor-El gives to Kal as he sends him off into deep space. In addition to that, there are flashback scenes that show Kal (now Clark) growing up with his ‘parents’ in Smallville, Kansas. He has to learn to control his powers and not reveal his true form to anyone, although that becomes difficult when his childhood is rife with disasters.

    As he matures, he becomes a nomad – working dead end jobs and saving people from nearby disasters, finding it difficult to blend in with society as a result. He is a guardian angel of sorts. As he works his way around the pacific seaboard, he ends up as a cargo carrier in Antarctica and eventually tracks down an exploratory ship from Krypton and accidentally sets a homing beacon off to attract an old enemy – General Zod, so-called savior of the Krypton race.

    Solid performances by the cast, incredible visuals, and a powerful score by none other than the insanely talented Hans Zimmer make Man of Steel a well rounded, action packed summer blockbuster.

    While there are definitely shortcomings that comic fans can point out (I myself am not well-versed on the subject) I think that one of the biggest shortcomings of the film comes from the fact that so much was crammed into this movie that I don’t know where the story can continue from here. One of the most iconic adversaries and longest plot lines in the Superman universe that I can think of was unceremoniously dispatched. Another sore spot can come from the fact that this movie pulls in plot devices from all over the subject of Superman – including Smallville and many of the cartoons.

    It’s a film that’s palatable for the public, but falls short in some areas that I can’t quite put a finger on. I know the comic fans aren’t as happy with the whole thing, but I think the problem I have just comes down to the fact that I still find The Dark Knight to be the greatest superhero film to this day. Good try, good effort, and worth a watch!

    4/5 Reels
    Gold Squid Rating

  • SquidFlick’s Into The Dome: Under The Dome – “The Fire” Review

    intoOur newest feature here at SquidFlicks is our “Into The Dome” line of entries. Each week we will debut a review of that week’s episode of the new CBS series “Under The Dome.”  I’m going into this without reading the novel, or any cliff notes of it in any form. Spoilers ahead!

    So we pick up with a frantic Linda receiving the back up that she had called for at the conclusion of last weeks episode. Duke, the town’s Sheriff, is dead after touching the dome and it destroyed (or exploded rather) his pacemaker. Linda frantically tries to keep order and tells the other cops to do their duty.

    We see a flashback to a prior day when Barbie was beating up Julia’s husband, saying that his boss wants his money. From this we can assume that Barbie, or Dale Barbara as we learn is his full name, was either a hired man to retain this money or does this for a living. Junior continues to torment and hold Angie hostage until she loves him like she used to. After she tries to escape he chains her ankle to the bed. He tells her how he knows all about Barbie and her. She tells him that he is right and that her and him hooked up. This obviously light s fire under Junior, who then goes after Barbie. After confronting him Barbie, and attempting to fight him, Barbie isn’t afraid to unload a few punches and promises that next time he won’t stop.

    The bigger plot line of this episode was that Duke left Linda everything including his house. Big Jim, who reveals that the local town Reverend is also in on this propane scandal, tries to find the evidence that Duke had against them. The Rev is able to take Duke’s keys (or Linda’s keys with Duke’s attached) and sneak into his house to try to find this evidence. After finding and burning it, he throws the burning papers into a PLASTIC bin and watches as the house quickly becomes inflamed.

    So we have a fire that’s filling a dome with toxic smoke and a town with no fire department (as they were at a nearby town’s parade). Barbie, possibly showing his military background quickly coordinates people to get their buckets, hoses, anything they can to try and keep this fire contained. Load and behold Big Jim comes riding a bulldozer to demolish the house and extinguish the fire. Linda, who saved the trapped Rev from Duke’s house, is starting to not buy into all of the talk that Big Jim is saying.

    This episode really started to have people turn on one another, and showed those basic human instincts get the better of some of them. As this season continues I expect more of this type of occurrence and more radical changes in the governing system.