Tag: monsters

  • A Quiet Place: Part 2

    After the COVID pandemic shuttered theaters and delayed theatrical releases throughout 2020, the highly anticipated follow-up to 2018’s surprise horror/thriller smash hit from John Krasinski landed in May 2021. I marked the celebration of a year of quarantine and boredom by enjoying QP2 in the glorious setting of a theater, the first film I have watched in person since the pandemic. That weird dynamic of a mostly empty theater even after mass vaccinations and the lowering of restrictions only added to the spookiness of the apocalypse in the Quietverse.

    Quiet Place 1 did not give us any prologue – we are dropped right into day 472 of some kind of vague global calamity, which is revealed through the story to be some sort of invasion by a blind, highly aggressive and predatorial alien species that hunts by sound and has wiped out a lot of the population (as people are quiet noisy in a modern life). QP2 starts with Day 1, and actually shows the initial destruction of the population from the beasts, which we all know to be sound-based predators, but Day 1 folks find that out the hard way (or not at all). After that intro, we are dropped back to moments immediately after the end of the first film. The cut is seamless, and no doubt was filmed at the same time for continuity. It is an awesome cinematic move and immediately transports you back into the gravity of the situation as you recall what just happened (in 2017) and wonder what will happen next.

    QE2 answers that “What will happen next?” question – the family, now one member less strong but now understanding a rudimentary way to defeat the monsters, decides to leave the homestead and search out another group of survivors. What follows is the exploration of a world that is physically larger but still a still feels as claustrophobic and empty as the farm in part 1, rife with new elements like a safe refuge and raider gangs. It is a logical step in the world building of the Quietverse, and there aren’t many missteps.

    One qualm you could have would be in the pacing at times – the movie seems to move in uneven intervals but I feel as though that may keep you from expecting the next jump around the corner. Additionally, the monsters didn’t really add any new moves to their repertoire, which means that the methods to deal with them are remarkably simple to a certain degree, taking some of the fear out of facing them. There is an added wrinkle to the water element that was introduced in the first film, but I won’t spoil that detail. Overall though, the lack of change in predation by the stalkers contrasts with the doom and dread you feel in part 1 when they are seemingly invulnerable. We have become ‘used’ to the threat of them, as have the other survivors, and complacency can kill in these situations. To the movie’s credit, some complacent survivors do not make it.

    Overall, QP2 is an excellent continuation of the story, and has a satisfactory closing while still potentially allowing for a part 3. I know John Krasinski was hesitant to write part 2, but I feel like as long as he maintains the level of control he has on his IP, this series can continue to make a big impact. Here’s to hoping if there’s a part 3, he’s going to remain at the helm and not farm it out.

  • Shape of Water pulls a Monster Movie Award Coup

    At the 2018 Golden Globes, modern cinema history was made – but if you weren’t paying attention you may have missed it.

    “Since childhood I’ve been faithful to monsters — I have been saved and absolved by them – Because monsters, I believe, are patron saints of our blissful imperfection.” – Guillermo Del Toro, accepting 2018 Golden Globe for best director for ‘The Shape of Water’

    Guillermo Del Toro, mastermind director behind hits like Pans Labyrinth and Hellboy received recognition for his latest film, The Shape of Water, picking up a win for Best Director. What makes this significant is the fact that ‘monster’ movies are largely ignored for their artistic merits and are written off as mere box office fodder. They are hardly ever given credit for being forces of cinematic change and impact. Think of some of the best sci-fi, horror, and thriller genre films – Interstellar, Alien, Jurassic Park, 2001: A Space Odyssey, Mad Max: Fury Road, Get Out – how many received any critical acclaim from the Hollywood establishment, much less actual awards? There are usually some ‘token’ inclusions as nominations, but sci-fi/fantasy/horror flicks largely get the snub, and that is an unfair influence on what is deemed ‘culturally important’. If producers chase awards over art, we risk losing out on a lot of untold and still totally valid stories

    Now, I argue that Hollywood has it’s head so far up it’s butt that their opinions don’t much matter and is often out of step with what the average movie-goer is looking for. I argue that people love the spectacle of the tent-pole release, but they want something that can actually resonate. Something that moves the way you feel and think. Film is such a power medium of expression and provocation, to toss away the genre of horror and monsters is too pretend that we live in a perfect world free from such scares. I’d argue that the monsters we face in the real world are much more frightening than anything conjured up on the big screen – why be disingenuous?

    Here’s a sneak peak:

  • Pans Labyrinth

    I am personally embarrassed that SquidFlicks has existed for a decade and has never given Guillermo Del Toro’s masterpiece it’s proper due review. That changes now. This is the quintessential primer to understand Del Toro’s fascination and talent at telling the ‘monster’ story through all his cinematic endeavors.

    Set during the viciously violent (and often overlooked as a footnote during World War II) Francoist era in the years after the Spanish Civil War (1944), a young girl, Ofelia, along with her mother and unborn baby brother are escorted to a chateau in the dense forest of the Spanish countryside to bunker down with an enclave of fascist forces led by her adopted father, Captain Vidal.

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  • District 9

    What if we had to help aliens in a humanitarian gesture, only to be rewarded with an even more trouble than it’s worth? In the case of Johannesburg, South Africa, this strange story becomes a reality. In the early 1980s, a mysterious and enormous spaceship hovers over the city, seemingly unable to move. A private military organization, Multi-National United, explores the ship and finds a race of unhealthy aliens. MNU offers assistance and a protected living facility known as District 9. Over time, the aliens and humans begin to conflict with one another, prompting MNU to evacuate District 9 inhabitants to District 10, some 200+ km outside of Johannesburg. What happens when newly-appointed program director Wikus van Eckert begins handing out evictions is nothing short of alien. (more…)

  • Happy Thanksgiving!!!

    Hello fellow Squidflickians! I, along with Shelby and everyone at Squidflicks, want to wish you and your families a very Happy Thanksgiving. Now, before you turn the TV on to watch ANOTHER Lions game, we want to give you something a little bit better to watch. So sit back and enjoy our Thanksgiving “Feast,” with a special video review. Happy Thanksgiving!!

    httpv://www.youtube.com/watch?v=Evwsi61VIK8

    Shelby’s Edit:

    First off, there is NOTHING wrong with a Lions game on Thanksgiving. Second off, Here’s some free food courtesy of SquidFlicks:

    765e_turkey1

  • Monsters vs. Aliens

    Intro:

    When a strange alien robot lands in San Francisco, it’s up to a top secret government organization to deploy its captured monsters to subdue the robot. It ends up being a shallow victory when the mother ship arrives with a full invasion force. So the question stands: Who will win in the ultimate battle-monsters, or aliens?

    You’ll have to watch to find out!

    (more…)