Tag: Oscars

  • 90th Academy Award Nominations

    The field of 2018 Oscar nominations has been set, with winners will being announced on March 4, 2018. Jimmy Kimmel will host for a second time.

    Notable snubs across the board: Blade Runner 2049 was left out of contention for Best Picture and Best Director. Wonder Woman received no recognition at all. I am pleased to see The Shape of Water as well received as that was an incredible film. There’s a lot of good competition in the field, making predictions for several categories difficult in my opinion. My predictions/picks are in bold for each category that I feel I saw enough of the nominees to field a pick.

    Best Picture:

    “Call Me by Your Name”
    “Darkest Hour”
    “Dunkirk”
    “Get Out”
    “Lady Bird”
    “Phantom Thread”
    “The Post”
    “The Shape of Water”
    “Three Billboards Outside Ebbing, Missouri”

    Lead Actor:

    Timothée Chalamet, “Call Me by Your Name”
    Daniel Day-Lewis, “Phantom Thread”
    Daniel Kaluuya, “Get Out”
    Gary Oldman, “Darkest Hour”
    Denzel Washington, “Roman J. Israel, Esq.”

    Lead Actress:

    Sally Hawkins, “The Shape of Water”
    Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
    Margot Robbie, “I, Tonya”
    Saoirse Ronan, “Lady Bird”
    Meryl Streep, “The Post”

    Supporting Actor:

    Willem Dafoe, “The Florida Project”
    Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
    Richard Jenkins, “The Shape of Water”
    Christopher Plummer, “All the Money in the World”
    Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

    Supporting Actress:

    Mary J. Blige, “Mudbound”
    Allison Janney, “I, Tonya”
    Lesley Manville, “Phantom Thread”
    Laurie Metcalf, “Lady Bird”
    Octavia Spencer, “The Shape of Water”

    Director:

    “Dunkirk,” Christopher Nolan
    “Get Out,” Jordan Peele
    “Lady Bird,” Greta Gerwig
    “Phantom Thread,” Paul Thomas Anderson
    “The Shape of Water,” Guillermo del Toro

    Animated Feature:

    “The Boss Baby,” Tom McGrath, Ramsey Ann Naito
    “The Breadwinner,” Nora Twomey, Anthony Leo
    “Coco,” Lee Unkrich, Darla K. Anderson
    “Ferdinand,” Carlos Saldanha
    “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

    Animated Short:

    “Dear Basketball,” Glen Keane, Kobe Bryant
    “Garden Party,” Victor Caire, Gabriel Grapperon
    “Lou,” Dave Mullins, Dana Murray
    “Negative Space,” Max Porter, Ru Kuwahata
    “Revolting Rhymes,” Jakob Schuh, Jan Lachauer

    Adapted Screenplay:

    “Call Me by Your Name,” James Ivory
    “The Disaster Artist,” Scott Neustadter & Michael H. Weber
    “Logan,” Scott Frank & James Mangold and Michael Green
    “Molly’s Game,” Aaron Sorkin
    “Mudbound,” Virgil Williams and Dee Rees

    Original Screenplay (STACKED CATEGORY):

    “The Big Sick,” Emily V. Gordon & Kumail Nanjiani
    “Get Out,” Jordan Peele
    “Lady Bird,” Greta Gerwig
    “The Shape of Water,” Guillermo del Toro, Vanessa Taylor
    “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

    Cinematography:

    “Blade Runner 2049,” Roger Deakins
    “Darkest Hour,” Bruno Delbonnel
    “Dunkirk,” Hoyte van Hoytema
    “Mudbound,” Rachel Morrison
    “The Shape of Water,” Dan Laustsen

    Best Documentary Feature:

    “Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman
    “Faces Places,” JR, Agnès Varda, Rosalie Varda
    “Icarus,” Bryan Fogel, Dan Cogan
    “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
    “Strong Island,” Yance Ford, Joslyn Barnes

    Best Documentary Short Subject:

    “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright
    “Heaven is a Traffic Jam on the 405,” Frank Stiefel
    “Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon
    “Knife Skills,” Thomas Lennon
    “Traffic Stop,” Kate Davis, David Heilbroner

    Best Live Action Short Film:

    “DeKalb Elementary,” Reed Van Dyk
    “The Eleven O’Clock,” Derin Seale, Josh Lawson
    “My Nephew Emmett,” Kevin Wilson, Jr.
    “The Silent Child,” Chris Overton, Rachel Shenton
    “Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

    Best Foreign Language Film:

    “A Fantastic Woman” (Chile)
    “The Insult” (Lebanon)
    “Loveless” (Russia)
    “On Body and Soul (Hungary)
    “The Square” (Sweden)

    Film Editing:

    “Baby Driver,” Jonathan Amos, Paul Machliss
    “Dunkirk,” Lee Smith
    “I, Tonya,” Tatiana S. Riegel
    “The Shape of Water,” Sidney Wolinsky
    “Three Billboards Outside Ebbing, Missouri,” Jon Gregory

    Sound Editing:

    “Baby Driver,” Julian Slater
    “Blade Runner 2049,” Mark Mangini, Theo Green
    “Dunkirk,” Alex Gibson, Richard King
    “The Shape of Water,” Nathan Robitaille, Nelson Ferreira
    “Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

    Sound Mixing (setting the music to the movie):

    “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin
    “Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill
    “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo
    “The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern
    “Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

    Production Design:

    “Beauty and the Beast,” Sarah Greenwood; Katie Spencer
    “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola
    “Darkest Hour,” Sarah Greenwood, Katie Spencer
    “Dunkirk,” Nathan Crowley, Gary Fettis
    “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

    Original Score:

    “Dunkirk,” Hans Zimmer
    “Phantom Thread,” Jonny Greenwood
    “The Shape of Water,” Alexandre Desplat
    “Star Wars: The Last Jedi,” John Williams
    “Three Billboards Outside Ebbing, Missouri,” Carter Burwell

    Original Song:

    “Mighty River” from “Mudbound,” Mary J. Blige
    “Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens
    “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez
    “Stand Up for Something” from “Marshall,” Diane Warren, Common
    “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

    Makeup and Hair:

    “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
    “Victoria and Abdul,” Daniel Phillips and Lou Sheppard
    “Wonder,” Arjen Tuiten

    Costume Design:

    “Beauty and the Beast,” Jacqueline Durran
    “Darkest Hour,” Jacqueline Durran
    “Phantom Thread,” Mark Bridges
    “The Shape of Water,” Luis Sequeira
    “Victoria and Abdul,” Consolata Boyle

    Visual Effects:

    “Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
    “Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
    “Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
    “Star Wars: The Last Jedi,” Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan
    “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

    What are your picks? What were some glaring omissions? Comment below!

  • 2010 Academy Awards Analysis

    In this very first filmed episode of The Editing Room, I will share with you my thoughts on the results of the 2010 Academy Awards.

    httpv://www.youtube.com/watch?v=higH27oYO3E

  • Could Avatar SAVE the Oscars?

    After the debacle caused from last year’s Oscars ceremony, where films like The Dark Knight, which grossed over 1.4 billion and was seen by hundreds of millions of people, was beat out by a limited-release, Milk, for best picture, things have not been looking too good for Hollywood’s most prestigious award.

    Naturally, if all the movies, actors, and directors that people know about aren’t in the running for an award, then people aren’t going to watch the ceremony. That’s exactly what has happened for the decade since Titanic swept through the awards in 1998.

    It seems like those tightwad ‘film buffs’ are finally seeing the light, but it had to come after a good punch in their wallet. The general public almost always likes the opposite of what so-called film critics like. I figure that being a film critic for The New York Times or <Insert Newspaper Here> to be the equivalent of paying someone to diss everything that appeals to the common man. The Dark Knight or Milk? That’s not a very difficult question for about 98% of the population!

    However, Avatar is shaking things up. James Cameron’s last film was coincidentally one of the last good years to watch the Oscars. Can Avatar save the Oscars? With 9 nominations, it could run the tables for sure!

    Maybe things will be better this year. I am willing to watch and find out. How about you?